两种版权制度下的创作行动:澳大利亚和美国的电影制作和视觉艺术

IF 1.5 3区文学 Q2 COMMUNICATION

Communication Culture & Critique Pub Date : 2020-09-01 DOI:10.1093/ccc/tcaa003

Aram Sinnreich, P. Aufderheide, Donte Newman

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引用次数: 2

摘要

对在美国和澳大利亚跨媒体环境中工作的两个创意人群的行为进行比较，测试了两国法律环境对创意表达范围和日益数字化的生产过程中生产成本的比较影响。美国创作者享有灵活而广泛的合理使用例外，而澳大利亚创作者使用第三方版权内容的能力则受到更多限制。虽然版权例外的可用性起着至关重要的作用，但其他因素，包括人口统计、学科规范和社会不平等，在创造性实践和专业中也可能很重要。

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Creative Action Under Two Copyright Regimes: Filmmaking and Visual Arts in Australia and the United States

A comparison of the behaviors of two creative populations operating within cross-media environments in the United States and Australia tests the comparative effect of the two nations' legal environments on the range of creative expression and on costs of production in increasingly digitized production processes. The U.S. creators have access to the flexible and expansive exception of fair use, while Australian creators' ability to use third-party copyrighted content are far more constrained. While availability of copyright exceptions plays a crucial role, other factors including demographics, disciplinary norms, and social inequality may also be important in creative practices and professions.

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来源期刊

Communication Culture & Critique COMMUNICATION-

CiteScore

2.50

自引率

5.90%

发文量

期刊介绍： CCC provides an international forum for critical research in communication, media, and cultural studies. We welcome high-quality research and analyses that place questions of power, inequality, and justice at the center of empirical and theoretical inquiry. CCC seeks to bring a diversity of critical approaches (political economy, feminist analysis, critical race theory, postcolonial critique, cultural studies, queer theory) to bear on the role of communication, media, and culture in power dynamics on a global scale. CCC is especially interested in critical scholarship that engages with emerging lines of inquiry across the humanities and social sciences. We seek to explore the place of mediated communication in current topics of theorization and cross-disciplinary research (including affect, branding, posthumanism, labor, temporality, ordinariness, and networked everyday life, to name just a few examples). In the coming years, we anticipate publishing special issues on these themes.