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引用次数: 0
摘要
这篇文章提供了一个简短的介绍捷克异教金属。我简要总结了当地的主要趋势,并分析了异教是如何在代表不同金属亚流派的三个乐队的音乐和歌词中被话语构建的:Inferno, Silent Stream of god dless Elegy和Žrec。我寻求一些重要问题的答案。捷克乐队是如何对待异教的?在哪些方面,如果有的话,捷克异教金属是独特的?还是捷克的异教金属乐队只是在模仿全球趋势?在异教金属乐队成员的个人生活中,属灵身份有多重要?Robert Walser对重金属的话语研究和Keith Kahn-Harris的场景概念是本文的主要理论灵感来源。歌词和音乐的分析是由捷克异教徒金属音乐听众的民族学和定量研究数据增强。
Czech Pagan Metal: A Short Introduction to Major Local Trends
This article offers a short introduction to Czech pagan metal. I offer a brief summary of the main trends within the local scene and analyze how Paganism is discursively constructed in the music and lyrics of three bands representing different metal sub-genres: Inferno, Silent Stream of Godless Elegy, and Žrec. I seek answers for some important questions. How do Czech bands approach Paganism? In what ways, if any, is Czech pagan metal unique? Or do Czech pagan metal bands simply copy global trends? How important is spiritual identity in the personal lives of Pagan metal band members? The main theoretical inspirations for thearticle are Robert Walser’s discursive study of heavy metal and Keith Kahn-Harris’s concept of scene. The analysis of lyrics and music is enhanced by data from ethnological and quantitative research among listeners of Czech Pagan metal music.