《永恒的时代:梅·辛克莱、英国理想主义与意识流》

IF 0.1 3区 文学 0 LITERATURE
Justin Prystash
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引用次数: 0

摘要

摘要:本文考察了英国唯心主义哲学与现代主义形式,特别是意识流手法的关系。从19世纪70年代到20世纪20年代,理想主义盛行,作家兼哲学家梅·辛克莱(May Sinclair)参与了它的概念论述,发现英国理想主义者关于时间是不真实的论点对她的文学议程特别有价值。对于许多理想主义者来说,时间是不真实的,因为多个时间序列共存于宇宙或非时间的“绝对”中。这一观点在《心灵》(Mind)杂志和其他地方进行了辩论,在文学概念“意识流”(stream of consciousness)中发挥了重要作用。1918年,辛克莱首次将“意识流”一词用于文学。考察这一时期文学与哲学的相互作用,拓展了我们对现代主义形式谱系及其影响的理解。特别是,辛克莱的意识流在唤起一种永恒的体验时,把作者、人物和读者聚集在一起,在他们中间产生了复杂的投资,既有伦理的,也有本体论的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Times of the Timeless: May Sinclair, British Idealism, and the Stream of Consciousness
Abstract:This article examines the relationship between British Idealist philosophy and modernist form, particularly the stream of consciousness technique. Idealism was ascendant from the 1870s to the 1920s, and the writer/philosopher May Sinclair participated in its conceptual discourse, finding the British Idealists' contention that time is unreal an especially valuable insight for her literary agenda. For many of the idealists, time is unreal in the sense that multiple temporal series coexist within the universe or atemporal "Absolute." This idea, which was debated in the journal Mind and elsewhere, played a significant role in the literary conception of "stream of consciousness," a term first applied to literature by Sinclair in 1918. Considering the interplay of literature and philosophy during this period expands our understanding of the genealogy of modernist form and its effects. In particular, in evoking an experience of the timeless, for Sinclair stream of consciousness draws together authors, characters, and readers, generating among them complex investments, both ethical and ontological.
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来源期刊
CiteScore
0.20
自引率
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发文量
17
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