四面楚歌的公众寓言:现代瑞典犯罪小说的红线

IF 0.5 3区 文学 0 LITERATURE
Phillip E. Wegner
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引用次数: 0

摘要

摘要:本文以瑞典犯罪小说maj Sjöwall和Per Wahlöö的马丁·贝克系列(1965- 1975)、亨宁·曼凯尔的库尔特·沃兰德系列(1991-99和2009)以及斯蒂格·拉尔森的《千禧年三部曲》(2005-07)为主线,通过三种被弗雷德里克·詹姆斯称为认知映射的形式:现实主义、民族寓言和寓言遭遇叙事。我这样做是为了以新的方式把握这些叙事的具体劳动或象征性行动,因为他们重塑了他们共同的文学实践的内容和形式,以回应他们所处的急剧变化的全球历史景观。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Allegories of an Embattled Public: The Red Thread of the Modern Swedish Crime Novel
Abstract:This essay takes up the red thread of the Swedish crime novel-Maj Sjöwall and Per Wahlöö's Martin Beck series (1965-75), Henning Mankell's Kurt Wallander novels (1991-99 and 2009), and Stieg Larsson's Millennium trilogy (2005-07)-through three forms of what Fredric Jameson terms cognitive mapping: realism, national allegory, and the allegorical encounter narrative. I do so in order to grasp, in new ways, the concrete labor, or symbolic actions, of these narratives, as they remold the content and form of their shared literary practice to respond to the dramatically changing global historical landscape in which they are located.
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
42
期刊介绍: Modern Fiction Studies publishes engaging articles on prominent works of modern and contemporary fiction. Emphasizing historical, theoretical, and interdisciplinary approaches, the journal encourages a dialogue between fiction and theory, publishing work that offers new theoretical insights, clarity of style, and completeness of argument. Modern Fiction Studies alternates general issues dealing with a wide range of texts with special issues focused on single topics or individual writers.
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