68年后的社会学和社会创造力

IF 0.5 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

ARBOR-CIENCIA PENSAMIENTO Y CULTURA Pub Date : 2018-03-30 DOI:10.3989/ARBOR.2018.787N1008

Celso Sánchez Capdequí

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引用次数: 5

摘要

本文分析了社会创造力的概念与六八事件的关系。当资产阶级现代性的旧结构被打破，一个新的后资产阶级人的自我形象出现时，这种表达作为一个社会学关注的焦点出现:艺术家。本文阐述了创造力的不同含义，以及现代社会制度性创造力掩盖制度性创造力所带来的危险。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Las sociologías post 68 y la creatividad social

This paper analyzes the idea of social creativity in relation to the events of May ‘68. This expression appears as a sociological focus of attention when old structures of bourgeois modernity are broken down and a new self image of postbourgeois man emerges: the artist. The text explains the different meanings of creativity and the dangers that appear in modern society when instituted creativity conceal instituent creativity.

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来源期刊

ARBOR-CIENCIA PENSAMIENTO Y CULTURA HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.60

自引率

0.00%

发文量

审稿时长

48 weeks

期刊介绍： Arbor is a bimonthly Journal publishing original articles on Science, Thought and Culture. By examining different topics with a rigorous scientific approach, Arbor intends to service the Spanish society and scientific community by providing information, updating, reflection and debate on subjects of current interest. Arbor is among the oldest Journals published by CSIC, and is open to researchers and Culture creators and managers, both Spanish and foreign.