早期的摄影联合会和追求合作教育

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
S. Dominici
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引用次数: 0

摘要

1899年,英格兰北部的一群摄影协会和摄影俱乐部联合起来成立了约克郡摄影联盟。不久之后,诺森伯兰和达勒姆(1901年)、苏格兰(1903年)、兰开夏和柴郡(1905年)、中部地区(1907年)和东安格利亚(1910年)的社团和俱乐部又成立了另外五个摄影联合会。这些伞形组织通过协调摄影材料、讲师和评委的流通以及组织联合会议、郊游和比赛来支持其联合成员。当时,正式的摄影教育还处于起步阶段,基本上只对专业人士开放,符合这一时期对理性娱乐和相互支持的关注,摄影联合会为越来越多的业余摄影师提供了相互学习的机会。这篇文章重建了这些组织在很大程度上未被充分研究的出现,并询问他们的教育项目告诉我们他们对人们应该如何被教导和学习摄影的理解,以及他们对这些实践的价值观和意义。它揭示了他们的愿景不仅仅是由一种将教学与社交结合起来的愿望所塑造的,而且最根本的是,他们认识到摄影理论和实践知识的获取依赖于合作实践。这篇文章认为,在俱乐部和社团的层面上与其他人一起摄影,让他们首先想象,然后实现了一种教育基础设施,这种基础设施将摄影知识的传播概念化为一种由合作网络支持的共同社会责任。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Early photographic federations and the pursuit of collaborative education
ABSTRACT In 1899, a group of photographic societies and camera clubs in the north of England came together to form the Yorkshire Photographic Union. Soon after, five other photographic federations were founded by societies and clubs in Northumberland and Durham (1901), Scotland (1903), Lancashire and Cheshire (1905), the Midlands (1907), and East Anglia (1910). These umbrella organisations supported their federated members by coordinating the circulation of photographic materials, lecturers, and judges, and by organising joint meetings, outings, and competitions. At a time when formal photographic education was still in its infancy and largely open to professionals only, and in line with this period’s concerns with rational recreation and mutual support, the photographic federations fostered opportunities for a growing body of amateur photographers to learn from one another. This article reconstructs the largely under-researched emergence of these organisations, and asks what their educational project tells us about their understanding of how people ought to be taught and learn photography, and the values and meanings that they attached to these practices. It reveals that their vision was shaped not simply by a desire to combine instruction with sociability but, most fundamentally, by the recognition that the acquisition of theoretical and practical photographic knowledge depended on collaborative practices. The article argues that doing photography with others at the level of clubs and societies had brought them first to imagine, and then to realise, an educational infrastructure that conceptualised the transmission of photographic knowledge as a shared social responsibility supported by a cooperative network.
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来源期刊
Early Popular Visual Culture
Early Popular Visual Culture HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.20
自引率
0.00%
发文量
50
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