{"title":"欧洲民族民间音乐——尤其是波尔卡——在美国的未来","authors":"Richard A. Terselic","doi":"10.7152/SSJ.V32I1.15269","DOIUrl":null,"url":null,"abstract":"Some European folk music being performed in the North America remains substantially true to authentic versions brought over by early immigrants. Musicologists have combed the countryside of North America in search of such music, which in some cases, has been better preserved here than in its country of origin. Occasionally, music forms that have “morphed” have been restored by dedicated individuals who were generations removed from initial arrival of the music. Clete (Cletus) Bellin is an example of such a dedicated individual.","PeriodicalId":82261,"journal":{"name":"Papers in Slovene studies","volume":"12 1","pages":"97-102"},"PeriodicalIF":0.0000,"publicationDate":"2011-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Future of European Ethnic Folk Music - and Particularly Polkas - in America\",\"authors\":\"Richard A. Terselic\",\"doi\":\"10.7152/SSJ.V32I1.15269\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Some European folk music being performed in the North America remains substantially true to authentic versions brought over by early immigrants. Musicologists have combed the countryside of North America in search of such music, which in some cases, has been better preserved here than in its country of origin. Occasionally, music forms that have “morphed” have been restored by dedicated individuals who were generations removed from initial arrival of the music. Clete (Cletus) Bellin is an example of such a dedicated individual.\",\"PeriodicalId\":82261,\"journal\":{\"name\":\"Papers in Slovene studies\",\"volume\":\"12 1\",\"pages\":\"97-102\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2011-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Papers in Slovene studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7152/SSJ.V32I1.15269\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Papers in Slovene studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7152/SSJ.V32I1.15269","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Future of European Ethnic Folk Music - and Particularly Polkas - in America
Some European folk music being performed in the North America remains substantially true to authentic versions brought over by early immigrants. Musicologists have combed the countryside of North America in search of such music, which in some cases, has been better preserved here than in its country of origin. Occasionally, music forms that have “morphed” have been restored by dedicated individuals who were generations removed from initial arrival of the music. Clete (Cletus) Bellin is an example of such a dedicated individual.
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