{"title":"电影，表演和空间之间:玛拉·马图什卡和克里斯·哈林的合作作品","authors":"K. Knowles","doi":"10.1353/CJ.2018.0004","DOIUrl":null,"url":null,"abstract":"Abstract:This article takes as its starting point five collaborative experimental films by choreographer Chris Haring and filmmaker Mara Mattuschka. Transposing live stage performances into self-contained cinematic worlds, these works represent compelling examples of intermedial exchange. The article draws on intermedial discourse, performance theory, dance film, and theories of space, body, and voice to illustrate how the films self-consciously stage their own process of transformation through an emphasis on the physical, sensual, and metaphorical spaces between.","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"200 1","pages":"112 - 89"},"PeriodicalIF":0.0000,"publicationDate":"2018-03-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Film, Performance, and the Spaces Between: The Collaborative Works of Mara Mattuschka and Chris Haring\",\"authors\":\"K. Knowles\",\"doi\":\"10.1353/CJ.2018.0004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article takes as its starting point five collaborative experimental films by choreographer Chris Haring and filmmaker Mara Mattuschka. Transposing live stage performances into self-contained cinematic worlds, these works represent compelling examples of intermedial exchange. The article draws on intermedial discourse, performance theory, dance film, and theories of space, body, and voice to illustrate how the films self-consciously stage their own process of transformation through an emphasis on the physical, sensual, and metaphorical spaces between.\",\"PeriodicalId\":92490,\"journal\":{\"name\":\"Cinema journal\",\"volume\":\"200 1\",\"pages\":\"112 - 89\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-03-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cinema journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/CJ.2018.0004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cinema journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/CJ.2018.0004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Film, Performance, and the Spaces Between: The Collaborative Works of Mara Mattuschka and Chris Haring
Abstract:This article takes as its starting point five collaborative experimental films by choreographer Chris Haring and filmmaker Mara Mattuschka. Transposing live stage performances into self-contained cinematic worlds, these works represent compelling examples of intermedial exchange. The article draws on intermedial discourse, performance theory, dance film, and theories of space, body, and voice to illustrate how the films self-consciously stage their own process of transformation through an emphasis on the physical, sensual, and metaphorical spaces between.
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