隐形人:cesar Manrique生活中的女性存在

Yolanda Peralta Sierra
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引用次数: 0

摘要

通过csamar Manrique和他生活中的一部分以及与他有联系的人,我们可以了解女性在20世纪40年代,50年代和60年代的艺术体系中的作用。更重要的是,我们可以发现在Manrique的亲密环境中,女性对他的个人和职业发展的贡献。这包括艺术家的伴侣Pepi Gómez;画家和艺术评论家埃尔维蕾塔·埃斯科比奥(Elvireta Escobio)是曼里克的密友,还有纽约画廊老板凯瑟琳·维维亚诺(Catherine Viviano),她在20世纪60年代帮助曼里克进入了纽约艺术界。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Las invisibles: presencias femeninas en la vida de César Manrique
Through César Manrique and the people who were part of his life and with whom he was connected, we can learn about the role of women in the art system in the 1940’s, ’50s and ’60s. And even more importantly, we can uncover the contribution of women in Manrique’s close environment to his personal and professional development. This includes women such Pepi Gómez, the artist’s companien; the painter and art critic Elvireta Escobio, Manrique’s intimate friend, and the New York gallery owner Catherine Viviano, who was responsable for Manrique’s entry into the New York art scene in the 1960s.
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