创作马卡顿弥撒:用马卡顿演唱和签名的合唱和钢琴组成的作品

IF 0.9 4区 艺术学 0 MUSIC
Olivia Sparkhall
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引用次数: 0

摘要

这篇文章描绘了由Voyces的导演路易斯·斯图尔特委托制作的Voyces的Makaton Mass的组成。这是第一次这样的弥撒,设计为同时歌唱和签名使用通信程序马卡顿。在这篇文章中,我建议,为了具有包容性,敬拜音乐需要包罗万象:直截了当地,但不简单,容易记住而不矫揉造作。为那些有特殊教育需要和残疾的人(SEND)和那些没有特殊教育需要和残疾的人提供参与会众的机会是这种成功组合的核心。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Creating a Makaton Mass: A composition for unison voices and piano to be sung and signed using Makaton
This article charts the composition of the Multitude of Voyces’ Makaton Mass, commissioned by the director of Multitude of Voyces, Louise Stewart. This is the first Mass of its kind, devised to be simultaneously sung and signed using the communication programme Makaton. In this article, I propose that to be inclusive, music for worship needs to be all-embracing: straight-forward, but not simplistic, and easily memorable without being twee. Opportunity for congregational participation for both those with special educational needs and disability (SEND) and those without is at the heart of a successful composition of this sort.
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来源期刊
CiteScore
1.70
自引率
42.90%
发文量
16
期刊介绍: The International Journal of Community Music publishes research articles, practical discussions, timely reviews, readers'' notes and special issues concerning all aspects of community music. The editorial board is composed of leading international scholars and practitioners spanning diverse disciplines that reflect the scope of community music practice and theory. This journal is double-blind peer-reviewed in order to maintain the highest standards of scholastic integrity.
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