《格列佛的旅行》和19世纪讽刺漫画的颠覆性保守主义

IF 0.2 Q4 AREA STUDIES
Ilaria Natali
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引用次数: 0

摘要

乔纳森·斯威夫特的《格列佛游记》的视觉质量,加上它的流行和民间元素,极大地促进了这部小说的跨媒体接受,并成为它在不列颠群岛视觉讽刺的所谓“黄金时代”取得成功的核心。从18世纪末开始,漫画家们把斯威夫特的作品变成了社会机制和结构的象征。事实上,《格列佛游记》在19世纪被频繁地改编成图形形式,被用来识别社会或政治身份和差异性,表达对任何形式的权威的怀疑,并破坏对当前政治事件的单一观点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
"Gulliver’s Travels" e il conservatorismo sovversivo delle stampe satiriche ottocentesche
The visual quality of Jonathan Swift’s Gulliver’s Travels, together with its popular and folkloric ingredients, has greatly contributed to the novel’s immediate transmedial reception and was central to its success during the so-called “golden age” of visual satire in the British Isles. Starting with the end of the eighteenth century, caricaturists transformed Swift’s work into a symbol of society’s mechanisms and structures. Indeed, in its frequent nineteenth-century adaptations into graphic form, Gulliver’s Travels has been exploited to identify social or political identity and otherness, to express suspicion against any form of authority, and to undermine monologic perspectives on current political events.
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