西班牙系彩绘圣经中的乐器

IF 0.2 0 ART
G. Shaked
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引用次数: 0

摘要

一些伊比利亚希伯来圣经制作于13至15世纪,在整页的圣殿工具插图中描绘了乐器。这些乐器被发现与两本当代伊比利亚基督教手稿中的乐器相似:《圣玛利亚手稿E》和彼得·科米斯托的《经院历史》。小号和公羊角在《圣经》中并排出现,它们的出现在一起是犹太艺术的一个独特之处。同样值得注意的是,大多数小号都有一些黄金,或者完全是黄金的,或者是镀金的,而圣殿和会幕的小号被特别说成是纯银制成的。这篇文章表明,这两个特征反映了伊比利亚犹太人试图将他们的音乐与国王阿方索十世及其继承人的宫廷音乐联系起来,因为插图暗示他们和国王有共同的音乐根源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Musical Instruments in the Sephardic Illuminated Bibles
Some Iberian Hebrew Bibles produced from the thirteenth to the fifteenth century feature depictions of musical instruments within the full-page illustrations of the Temple implements. These instruments have been found to be similar to those in two contemporary Iberian Christian manuscripts: Cantigas de Santa Maria Codex E and Peter Comestor’s Historia Scholastica. The trumpets and ram’s horn appear next to one another in the Bibles and their appearance together is a unique feature in Jewish art. Also noteworthy is the fact that most of the trumpets have some gold or are entirely of gold or are gilded whereas the Temple’s and Tabernacle’s trumpets were specifically said to be made of pure silver. This article suggests that these two features reflect an attempt on the part of Iberian Jews to associate their music with that of the court of King Alfonso X and his heirs, as the illustrations imply that they and the king had shared musical roots.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
27
审稿时长
30 weeks
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