越轨行为:隔离时期的电影记录。受疫情启发的短片媒体研究分析(HBO项目)

M. Bożek
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引用次数: 0

摘要

这篇评论文章是对波兰电影制作人受HBO数字平台委托制作的短片进行媒体研究分析的尝试。这些措施都是针对大流行的隔离局面。分析了艺术对危险态度的越界。在其中,我使用了当代符号学的工具:通过破坏和对隐藏在电影信息中的意义的新解读,参与创造意义的语言和非语言代码。我证明,艺术家首先要做的是越界,否定现存的现实,寻找一种与亚里士多德三幕结构相矛盾的新的电影语言,以分散它们所承载的图像和意义。其次,我认为符号学家提出的对符码的解构和意义的重组发生在有问题的艺术活动中,似乎是相反的方向。解构——的确如此,但不是在一个新的语境中发现真理,而是在单独发挥作用、不创造意义的现实片段中寻找真理。它们只是单独的照明和轮廓图像。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Transgressions: film recordings of the isolation period. Media studies analysis of short films inspired by the pandemic (HBO project)
The review article is an attempt at a media studies analysis of short films made by Polish filmmakers commissioned by the HBO digital platform. They are all in response to the pandemic situation of isolation. The analysis deals with the transgression of artistic attitudes towards danger. In it, I use the tools of contemporary semiology: verbal and non-verbal codes that participate in creating meanings through destruction and a new reading of meanings hidden in film messages. I prove that artists, first of all, commit transgression, negating the existing reality and looking for a new film language that contradicts the Aristotelian structure of the three acts in order to disperse the images and meanings they carry. Secondly, I argue that the deconstruction of codes and the reassembly of meanings proposed by semiologists takes place in the artistic activities in question, as if in the opposite direction. Deconstruction – indeed, but not to discover the truth in a new context, but to look for it in bits of reality that function separately and do not create meanings. They are only separately illuminated and contoured images.
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