戈雅的罗马别墅:将一个经典项目转变为西班牙理性主义的第一个标志的化身

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引用次数: 0

摘要

将Rincón戈雅馆作为西班牙新生的现代主义运动的标志,使其成为大量研究的对象,但这些研究都是从其原始现代概念的错误先验原则出发的。1926年的一幅鲜为人知的素描展示了一个与现代相去甚远的形象。有趣的是,这与50年代的转型结果非常相似。从一个更广泛的角度和更深入的研究表明,这些事件的复杂发展导致了梅卡达尔走向理性主义。包括花园在内的分析,一个真正的项目对象的元素,让我们发现,最终的结果保留了最初的想法的浪漫主义,它组织了戈雅生活的重要故事的路线。展馆的颜色,基于奥赞方特的调色板,将是这个故事的连贯性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Una villa romana para Goya: Los avatares que transformaron un proyecto clásico, en el primer icono del racionalismo español
The consideration of the Rincón de Goya pavilion as the icon of the newborn Modern Movement in Spain, has made it an object of abundant studies, but all of them start from the erroneous a priori principle of its original modern conception. A little ‐ known sketch of 1926 shows an image far removed from that modernity. Interesting ‐ ly, very similar to the result of the transformation that would suffer in the 50s. A deeper study and from a broader perspective, suggests that were the events of its complicated development, which led Mercadal towards rationalism. Including the garden in that analysis, an element that was really the object of the project, allows us to discover that the final result preserves the romanticism of the original idea, It ʹ s organizing the routes in a vital story of life of Goya. The colors of the pavilion, based on Ozenfant ʹ s palette, will be coherers of that story.
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