以女性为中心的电影中主要人物的夸张言语行为分析

Hamadah Ashfiya, Agwin Degaf
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引用次数: 0

摘要

本研究探讨了以女性为中心的电影《小妇人》和《艾诺拉·福尔摩斯》中委托言语行为的使用。它采用了Searle的言语行为分类(1979),以及Hymes的社会结构理论(2001)和Brown Levinson的礼貌理论(1987)。分析揭示了以19世纪为背景的电影中各种类型的委托言语行为。此外,研究还揭示了角色的委托言语行为和礼貌策略的使用受到各自社会结构的显著影响。这些发现为现有理论提供了新的见解,并扩展了社会语用学研究的范围,特别是在学术环境中评估电影。该研究建议进行进一步的研究,包括不同的案例,探索语言行为研究的其他方面,并进行比较或跨文化分析。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
AN ANALYSIS OF COMMISSIVE SPEECH ACTS USED BY THE MAIN CHARACTERS IN WOMEN-CENTRIC MOVIES
This study explores the usage of commissive speech acts in the women-centric movies "Little Women" and "Enola Holmes." It employs Searle's classification of speech acts (1979), along with Hymes' social structure theory (2001) and Brown Levinson's politeness theory (1987). The analysis uncovers various types of commissive speech acts in movies set in the nineteenth century. Furthermore, it reveals that the employment of commissive speech acts and the politeness strategies employed by the characters are significantly influenced by the social structure of their respective societies. These findings contribute novel insights to the existing theories and extend the scope of sociopragmatics research, particularly in evaluating movies within academic settings. The study suggests conducting further research encompassing diverse cases, exploring other aspects of speech act studies, and engaging in comparative or cross-cultural analyses.
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