克里米亚鞑靼人侨民民俗抒情诗的体裁与风格结构(《凉水之歌》)

IF 0.2 0 LITERATURE
Olha Humeniuk
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引用次数: 0

摘要

情节母题处理是外籍歌曲分类的合理方法之一。它可以在相应的民俗作品的某一子群中区分出流行的情节母题。考察克里米亚鞑靼人的歌曲民俗,我们可以很清楚地按照这样的原则进行划分。可以确定的是,这些歌曲的主题是占主导地位的情绪和沉思,关于离开祖国的必要性,离开时的烦恼,航行到异国他乡的海洋广阔;适应新环境的考验和严酷;与最亲近的人分离的痛苦。这一原则在很大程度上是由这些歌曲的抒情叙述中非常清晰的史诗叙事轮廓所决定的,尽管它们的情感丰富。此外,在克里米亚鞑靼人的民间传说中还可以看到相当广泛的歌曲,其中所有提到的主题都是结合在一起的。本文以民间文学作品《凉水歌》为主要研究对象。作者着重分析了这首歌的构图复杂性,以及其比喻结构的独特性。她强调诗歌语调的渗透性,脆弱性,诗体的独创性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Genre and Style Structure of Expatriate Folklore Lyrics by Crimean Tatars (“The Song of Cool Water”)
Plot-motif treatment is one of reasonable in classification of expatriate song. It allows to distinguish prevail plot motif in the certain subgroup of corresponding folklore works. Investigating the song folklore by Crimean Tatars, we can rather clearly divide it by such principle. It is possible to determine the songs, where such motifs are dominant as moods and meditations concerning necessity of abandonment from native country, the troubles during departure and sailing to foreign land through sea expanse; the ordeals and severities of adaptation to new circumstances; bitterness of separation from nearest and dearest. Such principle is largely determined by very clear contours of epic narrative in lyrical exposition of these songs in spite of their emotional richness. Besides there are perceptible in folklore by Crimean Tatars rather extensive songs, where all mentioned motifs are combine. Folklore work “The Song of Cool Water” is the main object of study in the proposed article. The author pays attention on composition complexity of this song, on the peculiarities of its figurative structure. She stresses the penetration, vulnerability of its poetic intonations, versification originality.
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来源期刊
Studia Litterarum
Studia Litterarum LITERATURE-
CiteScore
0.20
自引率
0.00%
发文量
26
审稿时长
20 weeks
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