Q4 Social Sciences
A. Effenberger
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引用次数: 4

摘要

只有10世纪和11世纪的书面资料告诉我们,君士坦丁堡Blachernae神殿的三座建筑(Great Church, Chapel of the Soros和Holy Bath)中存在圣母的形象。我的研究的第一部分涉及这些图像的定位问题,以及它们的日期和图像细节。此外,他们可能的材料和技术特征(壁画,马赛克或石雕)进行了讨论。在“通常的奇迹”的图标的情况下,上帝的母亲无疑是代表与基督的孩子在她的手臂上。论文的第二部分考察了西奈修道院的一个圣像,其中有Blachernitissa, Hodegetria, Hagiosoritissa和Cheimeute的图像。Hagiosoritissa可以被识别为Chalkoprateia中上帝之母的图标,可能与Christos Antiphonetes的图标有关。在一个短途旅行,返回日期的服装的圣母进入Blachernae圣所进行了检查。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Marienbilder im Blachernenheiligtum
Abstract Only written sources from the 10th and 11th centuries inform us about the existence of images of the Mother of God in the three buildings of the Blachernae shrine at Constantinople (Great Church, Chapel of the Soros and Holy Bath). The first part of my study deals with the question of the localization of these images as well as their date and iconographical details. Furthermore, their possible material and technical features (wall paintings, mosaics or stone carvings) are discussed. In the case of the icon of the „usual miracle“ the Mother of God was doubtless represented with the Christ child on her arm. The second part of the paper investigates an icon in the Sinai Monastery with images of the Blachernitissa, Hodegetria, Hagiosoritissa and Cheimeute. The Hagiosoritissa can be identified as the icon of the Mother of God in the Chalkoprateia, probably linked with the icon of the Christos Antiphonetes. In an excursus, the returning date of the garment of the Virgin into the Blachernae sanctuary is examined.
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来源期刊
Millennium DIPr
Millennium DIPr Social Sciences-Law
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1 weeks
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