《市场中的布莱克》,2020年

Q3 Arts and Humanities
R. Essick
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引用次数: 0

摘要

与世界上许多商业活动一样,2020年的布莱克市场也受到了新冠肺炎大流行的阻碍。他的素描或油画没有一幅是新鲜上市的,也没有一本有插图的书或书页,也没有任何罕见的单独的盘子。《纯真之歌》的W版《圣周四》和《诗画》的E版易主,但两者都至少出售了两年,而且都是在美国和欧洲开始关闭非必要业务之前售出的。这两幅水彩画分别于2002年和2006年零星出售,分别列在“素描与绘画”一栏中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Blake in the Marketplace, 2020
The 2020 Blake market, like much of the world’s commercial activity, was hindered by the Covid-19 pandemic. None of his drawings or paintings came fresh to market, nor any illuminated books or leaves therefrom, nor any rare separate plates. “Holy Thursday” from Songs of Innocence copy W and Poetical Sketches copy E changed hands, but both had been on offer for at least two years and both sold before America and Europe began to shut down nonessential businesses. The two watercolors listed below under Drawings and Paintings, Cumea and Whilst Surfeited upon Thy Damask Cheek, had been available for purchase sporadically since 2002 and 2006 respectively.
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来源期刊
Blake - An Illustrated Quarterly
Blake - An Illustrated Quarterly Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
0
期刊介绍: Blake/An Illustrated Quarterly was born as the Blake Newsletter on a mimeograph machine at the University of California, Berkeley in 1967. Edited by Morton D. Paley, the first issue ran to nine pages, was available for a yearly subscription rate of two dollars for four issues, and included the fateful words, "As far as editorial policy is concerned, I think the Newsletter should be just that—not an incipient journal." The production office of the Newsletter relocated to the University of New Mexico when Morris Eaves became co-editor in 1970, and then moved with him in 1986 to its present home at the University of Rochester.
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