陷入困境的魅力。20世纪三四十年代匈牙利电影的类型和政治社会语境

IF 0.1 0 FILM, RADIO, TELEVISION
Z. Pápai
{"title":"陷入困境的魅力。20世纪三四十年代匈牙利电影的类型和政治社会语境","authors":"Z. Pápai","doi":"10.2478/ausfm-2020-0008","DOIUrl":null,"url":null,"abstract":"Abstract The article focuses on Hungarian films produced between 1939–1944 by examining how they tend to refrain from representing conflicts, and scrutinizing the political as well as social issues. However, directors started to revise this avoidance of conflicts by employing a so-called noir sensibility from the beginning of the Second World War in certain films, especially in “doomed love movies” such as Deadly Spring (Halálos tavasz, 1939), Mountain Girl (A hegyek lánya, 1942), and A Woman Looks Back (Egy assszony visszanéz, 1942), or melodramas, such as At the Crossroads (Keresztúton, 1942), Lent Life (Kölcsönadott élet, 1943), and Black Dawn (Fekete hajnal, 1943). The essay also offers a case study of the banned Hungarian movie Half a Boy (Egy fiúnak a fele, shot in 1943, but only shown in February 1946) by D. Ákos Hamza, which represented and protested against the stigmatization of Jewish people. Half a Boy is an often-cited emblematic film of its era. It is also an enigmatic one: it is a work full of social and political-historical reflections. Its humanistic point of view makes it outstanding in its era, nevertheless it is also rather ambivalent in terms of its orientation of values.","PeriodicalId":40721,"journal":{"name":"Acta Universitatis Sapientiae-Film and Media Studies","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Distressed Glamour. Genres and Political-Social Context in Hungarian Cinema of the 1930s and 1940s\",\"authors\":\"Z. Pápai\",\"doi\":\"10.2478/ausfm-2020-0008\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The article focuses on Hungarian films produced between 1939–1944 by examining how they tend to refrain from representing conflicts, and scrutinizing the political as well as social issues. However, directors started to revise this avoidance of conflicts by employing a so-called noir sensibility from the beginning of the Second World War in certain films, especially in “doomed love movies” such as Deadly Spring (Halálos tavasz, 1939), Mountain Girl (A hegyek lánya, 1942), and A Woman Looks Back (Egy assszony visszanéz, 1942), or melodramas, such as At the Crossroads (Keresztúton, 1942), Lent Life (Kölcsönadott élet, 1943), and Black Dawn (Fekete hajnal, 1943). The essay also offers a case study of the banned Hungarian movie Half a Boy (Egy fiúnak a fele, shot in 1943, but only shown in February 1946) by D. Ákos Hamza, which represented and protested against the stigmatization of Jewish people. Half a Boy is an often-cited emblematic film of its era. It is also an enigmatic one: it is a work full of social and political-historical reflections. Its humanistic point of view makes it outstanding in its era, nevertheless it is also rather ambivalent in terms of its orientation of values.\",\"PeriodicalId\":40721,\"journal\":{\"name\":\"Acta Universitatis Sapientiae-Film and Media Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Acta Universitatis Sapientiae-Film and Media Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2478/ausfm-2020-0008\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Acta Universitatis Sapientiae-Film and Media Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2478/ausfm-2020-0008","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0

摘要

本文以1939年至1944年间制作的匈牙利电影为研究对象,研究它们如何避免表现冲突,并审视政治和社会问题。然而,从第二次世界大战开始,导演们开始在某些电影中采用所谓的黑色感性来改变这种避免冲突的方式,特别是在“注定要失败的爱情电影”中,如《致命的春天》(Halálos tavasz, 1939)、《山女》(a hegyek lánya, 1942)、《一个女人的回头》(Egy assszony visszansamz, 1942),或情节剧,如《十字路口》(Keresztúton, 1942)、《四旬斋》(Kölcsönadott samaslet, 1943)和《黑色黎明》(Fekete hajnal, 1943)。这篇文章也提供了一个案例来研究被禁的匈牙利电影《半个男孩》(Egy fiúnak a fele,拍摄于1943年,但只在1946年2月上映),作者是D. Ákos Hamza,这部电影代表并抗议对犹太人的污名化。《半个男孩》是那个时代一部经常被引用的标志性电影。这也是一部神秘的作品:它是一部充满社会和政治历史反思的作品。它的人文主义观点使其在时代中脱颖而出,但在价值取向上也相当矛盾。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Distressed Glamour. Genres and Political-Social Context in Hungarian Cinema of the 1930s and 1940s
Abstract The article focuses on Hungarian films produced between 1939–1944 by examining how they tend to refrain from representing conflicts, and scrutinizing the political as well as social issues. However, directors started to revise this avoidance of conflicts by employing a so-called noir sensibility from the beginning of the Second World War in certain films, especially in “doomed love movies” such as Deadly Spring (Halálos tavasz, 1939), Mountain Girl (A hegyek lánya, 1942), and A Woman Looks Back (Egy assszony visszanéz, 1942), or melodramas, such as At the Crossroads (Keresztúton, 1942), Lent Life (Kölcsönadott élet, 1943), and Black Dawn (Fekete hajnal, 1943). The essay also offers a case study of the banned Hungarian movie Half a Boy (Egy fiúnak a fele, shot in 1943, but only shown in February 1946) by D. Ákos Hamza, which represented and protested against the stigmatization of Jewish people. Half a Boy is an often-cited emblematic film of its era. It is also an enigmatic one: it is a work full of social and political-historical reflections. Its humanistic point of view makes it outstanding in its era, nevertheless it is also rather ambivalent in terms of its orientation of values.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
8
审稿时长
10 weeks
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信