音乐制作教育中相互关联的学习旅程

IF 0.6 0 MUSIC
R. Toulson, Russ Hepworth-Sawyer
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引用次数: 2

摘要

音乐制作教育是一个具有挑战性的领域,探索多种创意,技术和创业学科,包括音乐作曲,表演电子学,声学,音乐学,项目管理和心理学。因此,学生在成为自主学习者的道路上经历了多次“学习之旅”。本文独特地评估了布鲁姆在音乐制作领域的认知领域的攀登之旅,并给出了具体的例子,通过框架的多个连接的攀登来验证高等教育中的音乐制作教学。由于音乐制作的实践性,Kolb的体验式学习模式也被认为是一个重复出现的功能,这是攀登布鲁姆领域所必需的,以确保学习者在毕业时具备就业和创业能力。作者本人在高等教育课程交付、设计和开发方面的经验也反映在威斯敏斯特大学(英国伦敦)和约克圣约翰大学(英国约克)的音乐制作路径上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Connected learning journeys in music production education
The field of music production education is a challenging one, exploring multiple creative, technical and entrepreneurial disciplines, including music composition, performance electronics, acoustics, musicology, project management and psychology. As a result, students take multiple ‘learning journeys’ on their pathway towards becoming autonomous learners. This article uniquely evaluates the journey of climbing Bloom’s cognitive domain in the field of music production and gives specific examples that validate teaching music production in higher education through multiple, connected ascents of the framework. Owing to the practical nature of music production, Kolb’s Experiential Learning Model is also considered as a recurring function that is necessary for climbing Bloom’s domain, in order to ensure that learners are equipped for employability and entrepreneurship on graduation. The authors’ own experiences of higher education course delivery, design and development are also reflected upon with reference to music production pathways at both the University of Westminster (London, United Kingdom) and York St John University (York, United Kingdom).
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来源期刊
CiteScore
1.40
自引率
0.00%
发文量
6
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