{"title":"拆解事实、虚构、幻想和彻头彻尾的谎言:汇编电影作为档案盗版","authors":"Dale Hudson","doi":"10.1353/sor.2022.0065","DOIUrl":null,"url":null,"abstract":"Abstract:Films compiled from archival footage unsettle assumptions about film and photography’s ability to capture truth—and the archive’s ability to contain it—through a critical practice of pirating. Sandhya Suri’s Around India with a Movie Camera, Rona Sela’s Looted and Hidden: Palestinian Archives in Israel, and Kamal Aljafari’s Recollection manipulate images from archives to expose the technical and institutional manipulations within colonial propaganda, posing questions about how and when visual evidence becomes truth, with implications for mobile phone eyewitness videos today—and also deepfakes in viral disinformation.","PeriodicalId":21868,"journal":{"name":"Social Research: An International Quarterly","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Untangling Fact, Fiction, Fantasy—and Outright Lies: Compilation Films as Archival Piracy\",\"authors\":\"Dale Hudson\",\"doi\":\"10.1353/sor.2022.0065\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Films compiled from archival footage unsettle assumptions about film and photography’s ability to capture truth—and the archive’s ability to contain it—through a critical practice of pirating. Sandhya Suri’s Around India with a Movie Camera, Rona Sela’s Looted and Hidden: Palestinian Archives in Israel, and Kamal Aljafari’s Recollection manipulate images from archives to expose the technical and institutional manipulations within colonial propaganda, posing questions about how and when visual evidence becomes truth, with implications for mobile phone eyewitness videos today—and also deepfakes in viral disinformation.\",\"PeriodicalId\":21868,\"journal\":{\"name\":\"Social Research: An International Quarterly\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Social Research: An International Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/sor.2022.0065\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Social Research: An International Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/sor.2022.0065","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Untangling Fact, Fiction, Fantasy—and Outright Lies: Compilation Films as Archival Piracy
Abstract:Films compiled from archival footage unsettle assumptions about film and photography’s ability to capture truth—and the archive’s ability to contain it—through a critical practice of pirating. Sandhya Suri’s Around India with a Movie Camera, Rona Sela’s Looted and Hidden: Palestinian Archives in Israel, and Kamal Aljafari’s Recollection manipulate images from archives to expose the technical and institutional manipulations within colonial propaganda, posing questions about how and when visual evidence becomes truth, with implications for mobile phone eyewitness videos today—and also deepfakes in viral disinformation.
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