当生活模仿艺术:阿拉伯之春,中东和现代世界

Sean Foley
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引用次数: 6

摘要

这篇文章通过哈姆扎·纳米拉(Hamza Namira)和马赫·扎因(Maher Zain)等诗人和阿拉伯流行歌手的作品,调查了阿拉伯之春爆发前几年,这种思想愿景是如何形成的。它认为,艺术和政治上的远见反映了许多阿拉伯人和穆斯林寻找新方法来解决困扰他们社会的挑战的愿望。这一愿景还反映了a) 2008年之后全球经济的低迷,以及重大的环境变化如何激励阿拉伯世界数百万人采取行动;b)社交媒体和新的通信工具如何帮助动员异议人士,并限制政府有效镇压民众的能力。在2010年末阿拉伯之春开始两年多之后,它所催生的运动正在从根本上重建中东的社会。它们还在破坏国际体系的一些基本假设,其中许多假设自1648年《威斯特伐利亚和约》以来一直存在
本文章由计算机程序翻译,如有差异,请以英文原文为准。
When Life Imitates Art: The Arab Spring, the Middle East, and the Modern World
What was the intellectual vision that led to the Arab Spring and what are its roots This article investigates how that vision took shape in the years immediately before the Arab Spring through the work of poets and popular Arab singers like Hamza Namira and Maher Zain. It argues that the vision in art and politics mirrored the desire of many Arabs and Muslims to find new ways to solve the challenges plaguing their societies. The vision also reflected a) how the downturn in the global economy after 2008 combined with major environmental changes to galvanize millions to act in the Arab World b) how social media and new communications tools helped to mobilize dissent and to limit the ability of governments to effectively repress their populations. More than two years after the Arab Spring began in late 2010 the movements it spawned are radically reconstructing societies in the Middle East. They are also undermining some of the basic assumptions of the international system, many of which have been in place since the Peace of Westphalia in 1648
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