伊朗更年期的视觉表现

IF 1.2 2区 文学 Q3 COMMUNICATION
Maryam Ghiasian
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引用次数: 0

摘要

本研究调查了伊朗健康促进资源中更年期的视觉表现。作者使用Kress和Van Leeuwen的方法进行视觉分析(Kress G和Van Leeuwen T(2002))颜色作为一种符号模式:颜色语法注释。陈晓明,陈晓明(2006)《视觉设计的语法》,第2版。伦敦:劳特利奇出版社),研究伊朗政府和两所主要医科大学关于更年期的出版物。两个研究问题指导了调查:伊朗健康促进资源如何在视觉上代表更年期?这些表现如何反映和再现文化价值观和宗教信仰?调查结果显示:出版物既涉及男子也涉及妇女,但不包括寡妇、单身和离婚妇女;出版物鼓励妇女保持健康,过充实的绝经后生活;他们在使用视觉交流方面有独特的伊朗方法,其特点是抽象的形式、视觉象征主义和生动使用色彩的情感表现力。然而,自2008年以来,这些出版物没有更新,目前也没有分发,因此,它们所传达的总体积极信息目前无法挑战一些将妇女局限于妻子和母亲角色的传统男性观念。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Visual representation of the menopause in Iran
This study investigates the visual representation of menopause in Iranian health promotion resources. The author uses Kress and Van Leeuwen’s approach to visual analysis (Kress G and Van Leeuwen T (2002) Colour as a semiotic mode: Notes for a grammar of colour. Visual Communication 2(3): 343–368 and Kress G and Van Leeuwen T (2006) Reading Images: The Grammar of Visual Design, 2nd edn. London: Routledge.) to study publications about the menopause by the Iranian Government and two major medical universities. Two research questions guide the investigation: How do Iranian health promotion resources visually represent the menopause? How do these representations reflect and reproduce cultural values and religious beliefs? Findings reveal that: the publications address both men and women, but exclude widows, single and divorced women; the publications encourage women to stay healthy and lead a fulfilling post-menopausal life; and that they have a distinctly Iranian approach to the use of visual communication, characterized by abstract modality, visual symbolism and the emotive expressivity of a vivid use of colour. However, the publications have not been updated since 2008 and are currently not distributed so that their generally positive message cannot, at present, challenge some traditional masculine beliefs which restrict women to the roles of wife and mother.
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来源期刊
Visual Communication
Visual Communication COMMUNICATION-
CiteScore
3.40
自引率
13.30%
发文量
45
期刊介绍: Visual Communication provides an international forum for the growing body of work in numerous interrelated disciplines. Its broad coverage includes: still and moving images; graphic design and typography; visual phenomena such as fashion, professional vision, posture and interaction; the built and landscaped environment; the role of the visual in relation to language, music, sound and action.
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