{"title":"流行音乐乌托邦式的承诺","authors":"W. Braun","doi":"10.1080/20551940.2020.1835075","DOIUrl":null,"url":null,"abstract":"Agnes Gayraud has a bone to pick with Theodor Adorno and other critics of pop music. Though Adorno’s major critiques from the 1940s precede contemporary iterations of pop, his view of the genre as ...","PeriodicalId":53207,"journal":{"name":"Sound Studies","volume":"4 1","pages":"267 - 269"},"PeriodicalIF":0.4000,"publicationDate":"2020-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Utopian promise of pop\",\"authors\":\"W. Braun\",\"doi\":\"10.1080/20551940.2020.1835075\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Agnes Gayraud has a bone to pick with Theodor Adorno and other critics of pop music. Though Adorno’s major critiques from the 1940s precede contemporary iterations of pop, his view of the genre as ...\",\"PeriodicalId\":53207,\"journal\":{\"name\":\"Sound Studies\",\"volume\":\"4 1\",\"pages\":\"267 - 269\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2020-10-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Sound Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/20551940.2020.1835075\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sound Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20551940.2020.1835075","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Agnes Gayraud has a bone to pick with Theodor Adorno and other critics of pop music. Though Adorno’s major critiques from the 1940s precede contemporary iterations of pop, his view of the genre as ...
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