“西班牙在我们的耳朵里:西班牙内战期间支持共和国的国际音乐反应”

IF 0.5 Q3 CULTURAL STUDIES
Igor Contreras Zubillaga, Eva Moreda Rodríguez
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引用次数: 1

摘要

这篇介绍介绍了特刊“西班牙在我们的耳朵里:在西班牙内战期间支持共和国的国际音乐反应”的基本原理。它认为,虽然对西班牙内战期间音乐的研究在过去十五年中取得了重大进展,但对这种音乐反应的国际层面的关注仍然很少,并且仅限于与共产党有联系的著名古典作曲家(汉斯·艾斯勒,西尔维斯特·雷韦尔塔斯)。通过邀请广泛的贡献处理广泛的音乐(古典音乐,电影音乐,流行音乐),地理(美国,苏联,英国,德国)和个人(从保罗·罗伯逊到迪米特里·肖斯塔科维奇),这一特殊问题因此丰富了音乐和西班牙内战的讨论,以新的视角(例如关于种族问题),同时呼吁更多的跨国方法来研究音乐和战争更普遍。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Spain in our Ears: International Musical Responses in Support of the Republic during the Spanish Civil War’
This introduction presents and sets the rationale for the special issue ‘Spain in our Ears: International Musical Responses in Support of the Republic during the Spanish Civil War’. It argues that, while research into music during the Spanish Civil War has enjoyed significant advances in the last fifteen years, concern with the international dimensions of such musical responses remains scarce and circumscribed to prominent classical composers with Communist affiliations (Hanns Eisler, Silvestre Revueltas). By inviting a wide range of contributions dealing with a wide range of musics (classical music, film music, popular music), geographies (the US, the URSS, Britain, Germany) and individuals (from Paul Robeson to Dimitri Shostakovich), this special issue therefore enriches discussion of music and the Spanish Civil War with new perspectives (e.g. concerning race issues), while at the same time calling for an increased transnational approach to the study of music and war more generally.
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CiteScore
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