{"title":"一位女士在君士坦丁堡圣索菲亚大教堂涂鸦","authors":"Christina Savova, Thomas Tomov","doi":"10.2298/zrvi1956233s","DOIUrl":null,"url":null,"abstract":"This paper sheds light on the graffito-drawing from Hagia Sophia. It mainly discussed the possibility that the graffito presented a Western medieval woman donating a chalice. It is also very probable that the graffito was a work of the 15th century, produced by a anonymous skilled author, who must have been familiar with the woman?s fashion of his time.","PeriodicalId":53859,"journal":{"name":"Zbornik Radova Vizantoloskog Instituta","volume":"27 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A woman’s graffito drawing from Hagia Sophia, Constantinople\",\"authors\":\"Christina Savova, Thomas Tomov\",\"doi\":\"10.2298/zrvi1956233s\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper sheds light on the graffito-drawing from Hagia Sophia. It mainly discussed the possibility that the graffito presented a Western medieval woman donating a chalice. It is also very probable that the graffito was a work of the 15th century, produced by a anonymous skilled author, who must have been familiar with the woman?s fashion of his time.\",\"PeriodicalId\":53859,\"journal\":{\"name\":\"Zbornik Radova Vizantoloskog Instituta\",\"volume\":\"27 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Zbornik Radova Vizantoloskog Instituta\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2298/zrvi1956233s\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MEDIEVAL & RENAISSANCE STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Zbornik Radova Vizantoloskog Instituta","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2298/zrvi1956233s","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
A woman’s graffito drawing from Hagia Sophia, Constantinople
This paper sheds light on the graffito-drawing from Hagia Sophia. It mainly discussed the possibility that the graffito presented a Western medieval woman donating a chalice. It is also very probable that the graffito was a work of the 15th century, produced by a anonymous skilled author, who must have been familiar with the woman?s fashion of his time.