{"title":"金属音乐的全球和本地维度","authors":"Andrzej Juszczyk","doi":"10.24917/20837275.14.3.5","DOIUrl":null,"url":null,"abstract":"This article deals with the development of local metal scenes in Africa and Asia in relation to the metal mainstream. The article addresses the problem of Western centrism in the current perception of metal music and introduces researchers to the current interests of non-Western music scenes. The article also proposes a psychosocial perspective on local metal scenes and, at the same time, the imaginary global metal community.","PeriodicalId":30927,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura","volume":"119 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Global and Local Dimension of Metal Music\",\"authors\":\"Andrzej Juszczyk\",\"doi\":\"10.24917/20837275.14.3.5\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article deals with the development of local metal scenes in Africa and Asia in relation to the metal mainstream. The article addresses the problem of Western centrism in the current perception of metal music and introduces researchers to the current interests of non-Western music scenes. The article also proposes a psychosocial perspective on local metal scenes and, at the same time, the imaginary global metal community.\",\"PeriodicalId\":30927,\"journal\":{\"name\":\"Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura\",\"volume\":\"119 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-09-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24917/20837275.14.3.5\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24917/20837275.14.3.5","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This article deals with the development of local metal scenes in Africa and Asia in relation to the metal mainstream. The article addresses the problem of Western centrism in the current perception of metal music and introduces researchers to the current interests of non-Western music scenes. The article also proposes a psychosocial perspective on local metal scenes and, at the same time, the imaginary global metal community.