触摸还是被触摸。《圣经》、伪经和艺术中的多马怀疑》。文学视角

IF 0.1 0 RELIGION
F. Bosman
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引用次数: 0

摘要

在基督教传统中,圣经中多马的名字主要与约翰福音20章27节的故事有关,在这个故事中,使徒被耶稣邀请去触摸他受折磨的身体。这个邀请是托马斯先前怀疑复活的现实的结果。与普遍的看法相反,约翰福音并没有明确指出多马是否接受了耶稣的提议。约翰创造了一个叙事缺口,让读者去填补,刺激读者去思考看到、触摸和相信的概念之间的关系,以及它们之间的相互依赖(或缺乏依赖)。在这篇历史文学的文章中,作者研究了对观福音书、约翰福音、几部伪经和四幅著名画作中的这种文学依赖,所有这些都集中在多马的性格上,寻找这些作者和艺术家试图填补约翰明显的叙事空白的不同方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
To Touch or to Be Touched. Doubting Thomas in the Bible, Apocryphal Texts, and the Arts. A Literary Perspective
Abstract In Christian tradition, the name of the Biblical Thomas is connected primarily to the story of John 20: 27 in which the apostle in invited by Jesus to touch his tortured body. This invitation is the result of Thomas’ prior scepticism to the reality of the resurrection. Contrary to popular belief, the text of John does not indicate clearly if Thomas accepts Jesus’ offer. John creates a narrative gap for the readers to fill in, stimulating the reader to contemplate the relationship between the notion of seeing, touching and believing, and their mutual dependency (or the lack of it). In this historical-literary article, the author investigates this literary dependency in the synoptic gospels, John’s gospel, several apocryphal texts, and four famous paintings, all focussing on the character of Thomas, in search of the different ways in which these authors and artists try to fill in John’s apparent narrative gap.
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来源期刊
Perichoresis
Perichoresis RELIGION-
CiteScore
0.20
自引率
0.00%
发文量
34
审稿时长
16 weeks
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