Karen Tei Yamashita的《橘子回归线》中的全球怪异与偏执世界

IF 0.5 3区 文学 0 LITERATURE
Timothy Lem-Smith
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引用次数: 1

摘要

摘要:本文认为山下卡伦·泰的《北回归线》运用了一种全球怪异的美学。山下的小说讲述了洛杉矶在一周内发生的一系列越来越奇怪的现象。将这些事件联系在一起的是橙色的主题,这种奇怪的水果在小说中持续出现,为气候变化的全球怪异影响的阴谋地图提供了关键。《回归线》最终将橙色作为一个热带人物,将生态启示录的多个尺度概念化,以偏执的信念为基础,认为一切都是相连的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Global Weirding and Paranoid Worlding in Karen Tei Yamashita's Tropic of Orange
Abstract:This essay argues that Karen Tei Yamashita's Tropic of Orange deploys an aesthetics of global weirding. Yamashita's novel relates a series of increasingly bizarre phenomena that occur across Los Angeles in a single week. Tying these occurrences together is the motif of the orange, a strange fruit whose persistent presence in the novel provides the key to the conspiratorial cartographies of climate change's globally weird effects. Tropic of Orange ultimately deploys the orange as a tropic figure that conceptualizes the multiple scales of the ecoapocalypse as one predicated on the paranoid faith that everything is connected.
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
42
期刊介绍: Modern Fiction Studies publishes engaging articles on prominent works of modern and contemporary fiction. Emphasizing historical, theoretical, and interdisciplinary approaches, the journal encourages a dialogue between fiction and theory, publishing work that offers new theoretical insights, clarity of style, and completeness of argument. Modern Fiction Studies alternates general issues dealing with a wide range of texts with special issues focused on single topics or individual writers.
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