{"title":"《运动的形状:电影与运动美学》,作者:Jordan Schonig(书评)","authors":"Philippe Bédard","doi":"10.1353/cj.2022.0075","DOIUrl":null,"url":null,"abstract":"The Shape of Motion: Cinema and the Aesthetics of Movement , a first book by is a unique and engaging foray into some of cinema’s forms. By studying six different forms of motion, the presents a method for critically engaging with the in Signifi-cantly, we could call an alternative phenomenology of cinematographic movement, a way to examine an of cinema so fundamental that it rarely sustained theoretical attention.” of prioritizes trac-ing links between recognizable regardless of their for the most part, their within narrative","PeriodicalId":55936,"journal":{"name":"JCMS-Journal of Cinema and Media Studies","volume":null,"pages":null},"PeriodicalIF":0.5000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"The Shape of Motion: Cinema and the Aesthetics of Movement by Jordan Schonig (review)\",\"authors\":\"Philippe Bédard\",\"doi\":\"10.1353/cj.2022.0075\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Shape of Motion: Cinema and the Aesthetics of Movement , a first book by is a unique and engaging foray into some of cinema’s forms. By studying six different forms of motion, the presents a method for critically engaging with the in Signifi-cantly, we could call an alternative phenomenology of cinematographic movement, a way to examine an of cinema so fundamental that it rarely sustained theoretical attention.” of prioritizes trac-ing links between recognizable regardless of their for the most part, their within narrative\",\"PeriodicalId\":55936,\"journal\":{\"name\":\"JCMS-Journal of Cinema and Media Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JCMS-Journal of Cinema and Media Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/cj.2022.0075\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JCMS-Journal of Cinema and Media Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/cj.2022.0075","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
The Shape of Motion: Cinema and the Aesthetics of Movement by Jordan Schonig (review)
The Shape of Motion: Cinema and the Aesthetics of Movement , a first book by is a unique and engaging foray into some of cinema’s forms. By studying six different forms of motion, the presents a method for critically engaging with the in Signifi-cantly, we could call an alternative phenomenology of cinematographic movement, a way to examine an of cinema so fundamental that it rarely sustained theoretical attention.” of prioritizes trac-ing links between recognizable regardless of their for the most part, their within narrative