{"title":"蜗牛的诗","authors":"Benjamin Fraser","doi":"10.3167/eca.2022.150204","DOIUrl":null,"url":null,"abstract":"The graphic novel Duelo de caracoles [Duel of snails] (2010) by Sonia Pulido (images) and Pere Joan (script) recounts a meal of snails shared by friends, a simple premise upon which Pulido overlays complex layouts that elevate the snail to the conceptual level of metaphor, symbol and allegory. A brief analysis of Estudios psicológicos [Psychological studies], a single-page comic featuring snails by Apel·les Mestres i Oñós, outlines basic principles of layout and the representation of subjectivity/interiority that inform subsequent discussion. Pulido and Pere Joan’s comic privileges Thierry Groensteen’s categories of the shown, the intervened and the signified. Pulido’s poetic mode of composition captures the polyphony of group dynamics, occasioning multiple interpretations of the page within and beyond the inter-iconic space.","PeriodicalId":40846,"journal":{"name":"European Comic Art","volume":"14 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Poetry of Snails\",\"authors\":\"Benjamin Fraser\",\"doi\":\"10.3167/eca.2022.150204\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The graphic novel Duelo de caracoles [Duel of snails] (2010) by Sonia Pulido (images) and Pere Joan (script) recounts a meal of snails shared by friends, a simple premise upon which Pulido overlays complex layouts that elevate the snail to the conceptual level of metaphor, symbol and allegory. A brief analysis of Estudios psicológicos [Psychological studies], a single-page comic featuring snails by Apel·les Mestres i Oñós, outlines basic principles of layout and the representation of subjectivity/interiority that inform subsequent discussion. Pulido and Pere Joan’s comic privileges Thierry Groensteen’s categories of the shown, the intervened and the signified. Pulido’s poetic mode of composition captures the polyphony of group dynamics, occasioning multiple interpretations of the page within and beyond the inter-iconic space.\",\"PeriodicalId\":40846,\"journal\":{\"name\":\"European Comic Art\",\"volume\":\"14 1\",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"European Comic Art\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3167/eca.2022.150204\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"European Comic Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3167/eca.2022.150204","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
索尼娅·普利多(图片)和佩雷·琼(剧本)的漫画小说《蜗牛的决斗》(2010)讲述了朋友们分享的一顿蜗牛大餐,普利多在一个简单的前提上叠加了复杂的布局,将蜗牛提升到隐喻、象征和寓言的概念层面。简要分析Estudios psicológicos[心理学研究],这是一本由Apel·les Mestres i Oñós创作的以蜗牛为主题的单页漫画,概述了布局的基本原则和主观性/内在性的表现,为随后的讨论提供了信息。普利多和圣女贞德的喜剧赋予了蒂埃里·格伦斯汀关于被展示的,被介入的,和所指的范畴的特权。普利多诗意的构图模式捕捉到了群体动态的复调,在标志性空间内外引发了对页面的多重解释。
The graphic novel Duelo de caracoles [Duel of snails] (2010) by Sonia Pulido (images) and Pere Joan (script) recounts a meal of snails shared by friends, a simple premise upon which Pulido overlays complex layouts that elevate the snail to the conceptual level of metaphor, symbol and allegory. A brief analysis of Estudios psicológicos [Psychological studies], a single-page comic featuring snails by Apel·les Mestres i Oñós, outlines basic principles of layout and the representation of subjectivity/interiority that inform subsequent discussion. Pulido and Pere Joan’s comic privileges Thierry Groensteen’s categories of the shown, the intervened and the signified. Pulido’s poetic mode of composition captures the polyphony of group dynamics, occasioning multiple interpretations of the page within and beyond the inter-iconic space.