走路,画画,设计。弗里德里希·路德维希·冯·斯凯尔的画杆和18世纪的园林景观

Sonja Dümpelmann
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引用次数: 0

摘要

对于德国景观园丁弗里德里希·路德维希·冯·斯凯尔(1750-1823)来说,步行是一种设计观光和居住景观的方法,换句话说,既适合步行,也适合停留。Sckell使用了一种特殊的装置——画杆,在行走的同时,将道路、植物和水体的轮廓直接按一比一的比例画在地面上。这种在运动中“画在自然中”的方法,使设计师能够更自由地回应他的想象力、情感和对场地的印象。尽管Sckell的步行设计师展示了18世纪后期推广的“自然”步态,但其人为的性质反映了它帮助设计的景观花园同样人为的性质。然而,“带着礼仪”走路,用今天的术语来说,可以被称为一种现象学的身体练习,是Sckell自然主义花园设计的核心,旨在培养想象力和情感反应。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Walking, drawing, designing. Friedrich Ludwig von Sckell’s drawing stick and eighteenth-century landscape gardens
For the German landscape gardener Friedrich Ludwig von Sckell (1750-1823) walking was a method to design landscapes for visitation and inhabitation, in other words, for both walking and staying. Sckell used an idiosyncratic device, the drawing stick, to draw outlines of pathways, plantings, and water bodies directly into the ground at one-to-one scale while walking. This method of “drawing in nature” while in motion was to enable the designer to respond to his imagination, emotions, and the impressions of the site more freely. Although Sckell’s walking designer exhibited the “natural” gait promoted in the late eighteenth century, its contrived nature mirrored the equally contrived nature of the landscape gardens it helped to design. Nevertheless, walking “with decorum” as what in today’s terms could be called a phenomenological bodily practice, was central to Sckell’s naturalistic garden designs that were to foster imagination and emotional response.
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