检验母性的主权:安妮·佐赫拉·贝拉赫的《24小时》(2016)中的晚期堕胎

IF 0.2 Q3 Social Sciences
Waltraud Maierhofer
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引用次数: 0

摘要

摘要:24沃臣(2016;Anne Zohra berrach导演的《24 Weeks》(2016)讲述了一对德国夫妇在产前检查诊断出遗传疾病和器官缺陷后决定堕胎的复杂过程。本文确立了影片对德国法典的准确描绘,同时避免了道德或宗教争论,而不是关注孕妇及其伴侣的内心动荡。它运用社会学家迈拉·马克思·费里(Myra Marx Ferree)对德国和美国性别政治的对比分析,来考察《24小时工作日》是否捕捉到了默克尔时代对性别角色和家庭支持的观点。这部电影的重点是堕胎的决定是个人的决定,主要由携带胎儿的妇女决定,这反映了德国的立法政策,把决定留给作为母亲的妇女。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Putting the Sovereignty of Motherhood to the Test: Late-Term Abortion in Anne Zohra Berrached’s 24 Wochen (2016)
Abstract:24 Wochen (2016; 24 Weeks, 2016), directed by Anne Zohra Berrached, depicts the complexity of a German couple’s decision to abort a fetus after prenatal tests diagnose a genetic disorder and organ defects. This article establishes the film’s accurate portrayal of German legal codes and its simultaneous avoidance of moralistic or religious arguments in lieu of a focus on the inner turmoil of the pregnant woman and her partner. It applies sociologist Myra Marx Ferree’s contrastive analysis of gender politics in Germany and the United States to examine 24 Wochen as capturing Merkel-era perspectives on gender roles and familial supports. The film’s focus on the decision to abort as one that is individual and primarily determined by the woman carrying the fetus reflects German legislative policy, which leaves the decision to the woman as mother.
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来源期刊
Feminist German Studies
Feminist German Studies WOMENS STUDIES-
CiteScore
0.30
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