白银时代俄罗斯诗歌的对话性——以《唐璜》诗歌为例

Aleksandra Szymańska
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引用次数: 0

摘要

本文讨论了俄罗斯现代主义诗人巴尔蒙特、布留索夫和古米廖夫三首以唐璜为主题的诗歌。目的在于阐明现代主义诗歌话语中艺术对话的特征。讨论了两种类型的对话:宏观对话和微观对话。前者通过互文形式实现,后者通过主体间形式实现。当诗人提到唐璜的形象时,一种不同的对话很可能转变成另一种。本文作者着重指出,所讨论的诗歌构成了唐璜形象的一连串转变:巴尔蒙特提出的唐璜形象随后被布留索夫发展,并被古米廖夫重新评价。这三个文本的语义核心都是唐璜的形象,他是一个流浪者,屈服于短暂快乐的诱惑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Dialogical Quality of the Russian Poetry of the Silver Age: A Case Study of Poems about Don Juan
The article brings a discussion of three poems of Russian modernist poets that undertake the theme of Don Juan – written by Konstantin Balmont, Valery Bryusov and Nikolai Gumilyov. The purpose is to elucidate the characteristics of the artistic dialogue in the discourse of modernist poetry. Two types of dialogue are discussed: macro- and microdialogue. The former is realised through intertextual forms, the latter – by means of intersubjective forms. When poets refer to the image of Don Juan, one variety of dialogue may well transform into the other. The author of the paper indicates emphatically that the poems under discussion constitute a chain of transformations of the image of Don Juan: the image as proposed by Balmont is then developed by Bryusov and revaluated by Gumilyov. The semantic core of all the three texts is the image of Don Juan as a wanderer who yields to temptations of transient delights.
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