{"title":"什么是艺术家?","authors":"A. Groves","doi":"10.59391/inscriptions.v6i1.193","DOIUrl":null,"url":null,"abstract":"Donald Trump most consider a villian, not an artist. Yet this thinking is limiting in terms of our own humanity. In this commentary I explore the politics of regionalism, abstract impressionism, and the personal relationships certain works of art (namely painting) contain without explication - with additional thoughts on institutions and the shifting global order.","PeriodicalId":32883,"journal":{"name":"Inscriptions","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2023-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"What is an artist?\",\"authors\":\"A. Groves\",\"doi\":\"10.59391/inscriptions.v6i1.193\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Donald Trump most consider a villian, not an artist. Yet this thinking is limiting in terms of our own humanity. In this commentary I explore the politics of regionalism, abstract impressionism, and the personal relationships certain works of art (namely painting) contain without explication - with additional thoughts on institutions and the shifting global order.\",\"PeriodicalId\":32883,\"journal\":{\"name\":\"Inscriptions\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Inscriptions\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.59391/inscriptions.v6i1.193\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Inscriptions","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.59391/inscriptions.v6i1.193","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Donald Trump most consider a villian, not an artist. Yet this thinking is limiting in terms of our own humanity. In this commentary I explore the politics of regionalism, abstract impressionism, and the personal relationships certain works of art (namely painting) contain without explication - with additional thoughts on institutions and the shifting global order.