作者为自己。文学的自画像

IF 0.1 0 LANGUAGE & LINGUISTICS
Margarita Serafimova
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引用次数: 0

摘要

文章聚焦于那些特定的体裁,作者回归到作品的写作过程中,创造出一种“生物文学”。作者表面上是在寻求创造性的传记性投射,实际上是把写作本身变成了阴谋。作者以随笔、访谈、评论和其他“外文”(Genette)的形式,模糊了连接和分离文本的边界,一方面是文本的解释,另一方面是文本的解释。因此,他把作品从虚构的世界中拿出来,赋予它表演的能力,在现实生活中赋予它一个角色。因此,作者在谈论和写作他的作品时,也画了他的自画像。这种有意识的、有目的的作者表现,显示了作者看待自己和作品的方式,但也暗示了他想留给后人的形象的关怀。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Author for Himself. Literary Self-Portraits
The article puts the spotlight on those specific genres in which the author returns to the process of writing of his works, creating a kind of “bioliterature”. Seemingly seeking for the biographical projections of creativity, in fact the author turns the writing itself into intrigue. In the form of essays, interviews, commentaries, and other “epitexts” (Genette), the author blurs the boundary that connects and separates the text on the one hand and its interpretations on the other. Thereby, he takes the work out of its fictional world and gives it performativity, assigning it a role in the real life. Thus, while speaking and writing about his works, the author draws his self-portrait as well. This conscious and purposeful authorial representation shows the way the author sees himself, his work, but it also hints the care for the image he wants to leave for posterity.
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