{"title":"丽城国教计划中的跨国酷儿团结和矛盾影响","authors":"Roweena Yip","doi":"10.1353/atj.2022.0005","DOIUrl":null,"url":null,"abstract":"Abstract:In this article, I examine siren eun young jung’s Yeoseong Gukgeuk Project, an ongoing contemporary art project about yeoseong gukgeuk, a Korean all-female performance form whose survival in the twenty-first century is marked by precarity. Situated at the intersections of archival documentation, ethnography, and visual art, I conceptualize the Yeoseong Gukgeuk Project as an archive of affect which establishes inter-Asian queer solidarities, mediated through reflections of my own encounters with the project at the Korea Artist Prize 2018 exhibition.","PeriodicalId":42841,"journal":{"name":"ASIAN THEATRE JOURNAL","volume":"20 1","pages":"139 - 158"},"PeriodicalIF":0.3000,"publicationDate":"2022-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Transnational Queer Solidarities and Ambivalent Affects in the Yeoseong Gukgeuk Project\",\"authors\":\"Roweena Yip\",\"doi\":\"10.1353/atj.2022.0005\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:In this article, I examine siren eun young jung’s Yeoseong Gukgeuk Project, an ongoing contemporary art project about yeoseong gukgeuk, a Korean all-female performance form whose survival in the twenty-first century is marked by precarity. Situated at the intersections of archival documentation, ethnography, and visual art, I conceptualize the Yeoseong Gukgeuk Project as an archive of affect which establishes inter-Asian queer solidarities, mediated through reflections of my own encounters with the project at the Korea Artist Prize 2018 exhibition.\",\"PeriodicalId\":42841,\"journal\":{\"name\":\"ASIAN THEATRE JOURNAL\",\"volume\":\"20 1\",\"pages\":\"139 - 158\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-03-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ASIAN THEATRE JOURNAL\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/atj.2022.0005\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ASIAN STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ASIAN THEATRE JOURNAL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/atj.2022.0005","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
Transnational Queer Solidarities and Ambivalent Affects in the Yeoseong Gukgeuk Project
Abstract:In this article, I examine siren eun young jung’s Yeoseong Gukgeuk Project, an ongoing contemporary art project about yeoseong gukgeuk, a Korean all-female performance form whose survival in the twenty-first century is marked by precarity. Situated at the intersections of archival documentation, ethnography, and visual art, I conceptualize the Yeoseong Gukgeuk Project as an archive of affect which establishes inter-Asian queer solidarities, mediated through reflections of my own encounters with the project at the Korea Artist Prize 2018 exhibition.