莫言的象征主义与文学寻根

IF 0.1 0 LITERARY THEORY & CRITICISM

Interdisciplinary Literary Studies Pub Date : 2022-03-09 DOI:10.3126/litstud.v35i01.43686

Hua Zhang, Yosra Ibrahim

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引用次数: 0

摘要

莫言是第一位获得诺贝尔文学奖的中国作家。2012年10月获得诺贝尔文学奖后，他立即引起了全世界的关注。近九年来，关于莫言创作风格和叙事艺术的理论性文章很多，但从象征主义的角度来探讨莫言的寻根特征的文章却很少。本文试图探讨莫言在写作中寻根的方式。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Mo Yan’s Symbolism and Literary Root-seeking

Mo Yan is the first Chinese writer to win the Nobel Prize for Literature. After he won the Nobel Prize for Literature in October 2012, he immediately drew the attention of the world. In the past nine years, there have been many theoretical articles on Mo Yan’s creative style and narrative art, but a very few articles on Mo Yan’s root-seeking characteristics from the perspective of symbolism. This paper attempts to explore the ways Mo Yan searches for his roots through his writings.

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来源期刊

Interdisciplinary Literary Studies LITERARY THEORY & CRITICISM-

CiteScore

0.10

自引率

0.00%

发文量

期刊介绍： Interdisciplinary Literary Studies seeks to explore the interconnections between literary study and other disciplines, ideologies, and cultural methods of critique. All national literatures, periods, and genres are welcomed topics.