波场合成系统中小提琴辐射特性的感性评价

Leonie Böhlke, Tim Ziemer
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引用次数: 4

摘要

提出了一种在波场合成(WFS)系统中合成乐器声辐射特性的方法并进行了测试。用由128个压力接收器组成的圆形麦克风阵列测量小提琴的辐射模式。对于每个临界频带,一个示例性辐射图被分解为0至64阶的圆谐波。小提琴的辐射特性由25种复杂的辐射模式来表示。在再现方面,这些圆谐波由128个密集间隔的单极子通过128个宽带脉冲来近似。消声小提琴录音与这些脉冲进行卷积,产生128个过滤版本的录音。然后在WFS系统中合成128个单极子源,并与播放未过滤录音的虚拟单极子进行比较。研究参与者认为重建的虚拟小提琴的音色依赖于听音位置,并报告说两个源类型……
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Perceptual evaluation of violin radiation characteristics in a wave field synthesis system
A method to synthesize the sound radiation characteristics of musical instruments in a wave field synthesis (WFS) system is proposed and tested. Radiation patterns of a violin are measured with a circular microphone array which consists of 128 pressure receivers. For each critical frequency band one exemplary radiation pattern is decomposed to circular harmonics of order 0 to 64. So the radiation characteristic of the violin is represented by 25 complex radiation patterns. On the reproduction side, these circular harmonics are approximated by 128 densely spaced monopoles by means of 128 broadband impulses. An anechoic violin recording is convolved with these impulses, yielding 128 filtered versions of the recording. These are then synthesized as 128 monopole sources in a WFS system and compared to a virtual monopole playing the unfiltered recording. The study participants perceive the tone color of the recreated virtual violin as being dependent on the listening position and report that the two source typ...
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