埃德温·缪尔的神话、形式与互文性

IF 0.1 0 LANGUAGE & LINGUISTICS
Gabriel Insausti
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引用次数: 0

摘要

埃德温·缪尔经常被批评为一个罕见的人。在1950年之前,他被选集学家忽视了,尽管后来的选集从来没有遗漏过他,但对许多读者来说,他仍然很难定位。他后来的作品被贴上了“传统主义者”或“工匠”的标签,然而,他的作品证明了缪尔远不止于此。理解他对神话、形式和互文性的运用,使我们能够重新思考他的作品在20世纪语境中的意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Myth, Form and Intertextuality in Edwin Muir
Edwin Muir has often embarrassed critics as a rara avis. He was overlooked by anthologists before 1950 and, although subsequent anthologies never failed to include him, he was still hard to place for many readers. Labelled as a “traditionalist” or a “craftsman”, his later work proves however that Muir was much more. Understanding his use of myth, form and intertextuality enables us to rethink the significance of his work in the twentieth-century context.
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来源期刊
CiteScore
1.10
自引率
0.00%
发文量
5
审稿时长
30 weeks
期刊介绍: The International Journal of English Studies (IJES) is a double-blind peer review journal which seeks to reflect the newest research in the general field of English Studies: English Language and Linguistics, Applied English Linguistics, Literature in English and Cultural studies of English-speaking countries. We will give preference to keeping the balance amongst the areas and subareas belonging to English Studies whenever possible.
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