{"title":"食物色情美学","authors":"Uku Tooming","doi":"10.22201/IIFS.18704905E.2021.1248","DOIUrl":null,"url":null,"abstract":"Enticing food photography which stimulates its viewers’ cravings, often given a dismissive label “food porn,” is one of the most popular contents in contemporary digital media. In this paper, I argue that the label disguises different ways in which a viewer can engage with it. In particular, food porn enables us to engage in cross-modal gustatory imaginings of a specific kind and an image’s capacity to afford such imaginings can contribute to its artistic merit.","PeriodicalId":43820,"journal":{"name":"CRITICA-REVISTA HISPANOAMERICANA DE FILOSOFIA","volume":"63 1","pages":"127–150-127–150"},"PeriodicalIF":0.1000,"publicationDate":"2021-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"5","resultStr":"{\"title\":\"Aesthetics of Food Porn\",\"authors\":\"Uku Tooming\",\"doi\":\"10.22201/IIFS.18704905E.2021.1248\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Enticing food photography which stimulates its viewers’ cravings, often given a dismissive label “food porn,” is one of the most popular contents in contemporary digital media. In this paper, I argue that the label disguises different ways in which a viewer can engage with it. In particular, food porn enables us to engage in cross-modal gustatory imaginings of a specific kind and an image’s capacity to afford such imaginings can contribute to its artistic merit.\",\"PeriodicalId\":43820,\"journal\":{\"name\":\"CRITICA-REVISTA HISPANOAMERICANA DE FILOSOFIA\",\"volume\":\"63 1\",\"pages\":\"127–150-127–150\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-04-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"5\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CRITICA-REVISTA HISPANOAMERICANA DE FILOSOFIA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22201/IIFS.18704905E.2021.1248\",\"RegionNum\":4,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"PHILOSOPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CRITICA-REVISTA HISPANOAMERICANA DE FILOSOFIA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22201/IIFS.18704905E.2021.1248","RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
Enticing food photography which stimulates its viewers’ cravings, often given a dismissive label “food porn,” is one of the most popular contents in contemporary digital media. In this paper, I argue that the label disguises different ways in which a viewer can engage with it. In particular, food porn enables us to engage in cross-modal gustatory imaginings of a specific kind and an image’s capacity to afford such imaginings can contribute to its artistic merit.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
