曼特尼亚的黑魔法师和普雷斯特·约翰

IF 0.2 3区艺术学 0 ART

SOURCE-NOTES IN THE HISTORY OF ART Pub Date : 2022-09-01 DOI:10.1086/724208

M. Leith, Allyson Everingham Sheckler

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引用次数: 0

摘要

1459年5月27日，教皇庇护二世率领凯旋队伍进入曼图亚，开启曼图亚会议。1453年君士坦丁堡沦陷于奥斯曼土耳其人之手，议会在1460年1月发出号召，发动十字军东征，收复失地。在会议审议期间，安德里亚·曼特尼亚接受了会议东道主曼图亚侯爵卢多维科二世·冈萨加的宫廷艺术家职位。不久之后，曼特尼亚为卢多维科画了一幅《贤士崇拜》，画中贤士带领着一个引人注目的多民族随从

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Mantegna’s Black Magus and Prester John

On May 27, 1459, Pope Pius II entered Mantua at the head of a triumphal procession to open the Council of Mantua. Dismayed by the fall of Constantinople to the Ottoman Turks in 1453, the council issued a call in January 1460 for a crusade to recover lost Christian lands. While the council deliberated, Andrea Mantegna accepted a position as court artist to the council’s host, Ludovico II Gonzaga, Marquis of Mantua. Not long after this, Mantegna painted for Ludovico an Adoration of the Magi in which the Magi lead a strikingly multiethnic entourage

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来源期刊

SOURCE-NOTES IN THE HISTORY OF ART ART-

CiteScore

0.10

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