{"title":"面对微侵犯时武装目标、盟友和旁观者:微干预反应策略及其有效性的定性检验","authors":"Sarah Alsaidi","doi":"10.7916/D8-2S0M-MQ57","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":45285,"journal":{"name":"MUSICAL QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Arming Targets, Allies, and Bystanders in the Face of Microaggressions: A Qualitative Examination of Microintervention Response Strategies and Their Efficacy\",\"authors\":\"Sarah Alsaidi\",\"doi\":\"10.7916/D8-2S0M-MQ57\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":45285,\"journal\":{\"name\":\"MUSICAL QUARTERLY\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MUSICAL QUARTERLY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7916/D8-2S0M-MQ57\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MUSICAL QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7916/D8-2S0M-MQ57","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Arming Targets, Allies, and Bystanders in the Face of Microaggressions: A Qualitative Examination of Microintervention Response Strategies and Their Efficacy
期刊介绍:
The Musical Quarterly, founded in 1915 by Oscar Sonneck, has long been cited as the premier scholarly musical journal in the United States. Over the years it has published the writings of many important composers and musicologists, including Aaron Copland, Arnold Schoenberg, Marc Blitzstein, Henry Cowell, and Camille Saint-Saens. The journal focuses on the merging areas in scholarship where much of the challenging new work in the study of music is being produced.