意大利巴洛克歌剧中利布什传说的处理

IF 0.1 0 MUSIC
Jana Spáčilová
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引用次数: 0

摘要

此次研究以巴洛克时期创作的4部意大利歌剧《Libuše》和《Přemysl》为主题。其中第一部是La Libussa(弗拉米尼奥·帕里塞蒂的剧本,克莱门特·莫纳里的音乐,wolfenb, 1692),于1702年在布拉格以巴托洛梅奥·贝尔纳迪的音乐背景重演。接下来是《波米亚的第一季》(朱利奥·切萨雷·科拉迪的剧本,托马索·阿尔比诺尼的音乐,1697年威尼斯)。最后是1734年在布拉格演出的《布拉格的新生》,《Primislao》(安东尼奥·丹齐奥的剧本)。本研究讨论了这些歌剧创作的历史环境,对剧本分析的选择问题,以及对其音乐的假设识别。附录载有两份布拉格文本的精选节选。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Zpracování pověsti o Libuši v italské barokní opeře
The study deals with four Italian operas created in the Baroque period on the theme of the legend of Libuše and Přemysl. The first of these was La Libussa (libretto by Flaminio Parisetti, music by Clemente Monari, Wolfenbüttel 1692), reprised in Prague c. 1702 in the musical setting of Bartolomeo Bernardi. The next was Primislao primo re di Boemia (libretto by Giulio Cesare Corradi, music by Tomaso Albinoni, Venice 1697). Last was the pasticcio Praga nascente da Libussa, e Primislao (libretto by Antonio Denzio), performed in Prague 1734. The study discusses the historical circumstances of the creation of these operas, selected issues of libretto analysis, and a hypothetical identification of their music. The appendices contain selected excerpts from both Prague librettos.
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
0
审稿时长
27 weeks
期刊介绍: Musicologica Brunensia is an international peer-reviewed scholarly journal publishing original articles in the field of musicology and related disciplines. The scope of the journal covers a wide range of topics, including not only a historical, but also a systematic area of musicology. The journal is not subject of any geographic restrictions. All submitted papers are double-blind peer review. The journal has been issued twice a year by Masaryk University (Faculty of Arts), Brno, Czech Republic, since 2009.
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