希腊化诗歌抒情体裁研究:赞美诗。转型，适应，实验

Q2 Arts and Humanities

Erga-Logoi Pub Date : 2018-06-14 DOI:10.7358/ERGA-2018-001-BARB

S. Barbantani

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引用次数: 1

摘要

本文是S. Barbantani在E. Sistakou(主编)的《希腊化抒情诗:为统治者的抒情诗:为人民的抒情诗:希腊化诗歌中一些抒情亚类型的转变》的贡献的第一部分。《一种文学模式的传统与转变》(《经典趋势》第9卷第2期)，柏林-波士顿，2017年，339-399页(其中讨论了赞美性抒情诗、Callimachus中的epinikion、Posidippus和铭文警句、文学上的形容词、threnoi和epikedeia、特殊抒情诗的韵律、Carmina popularia、专题使用选集和默剧)。这篇文章分析了在古代和古典希腊诗歌中发展起来的一些主要抒情体裁是如何在希腊化时期随着社会、政治和文化的变化而发生转变的。这篇论文特别探讨了“为神”创作的抒情诗(保存在石头和纸莎草上的赞美诗，尤其是赞美诗)。

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A Survey of Lyric Genres in Hellenistic Poetry: the Hymn. Transformation, Adaptation, Experimentation

The paper is the first part of S. Barbantani’s contribution Lyric for the Rulers, Lyric for the People: The Transformation of Some Lyric Subgenres in Hellenistic Poetry, in E. Sistakou (ed.), Hellenistic Lyricism: Traditions and Transformations of a Literary Mode (Trends in Classics 9, 2), Berlin - Boston 2017, 339-399 (which discusses encomiastic lyric, epinikion in Callimachus, Posidippus and inscriptional epigram, literary epithalamia, threnoi and epikedeia, poems in stichic lyric meters, Carmina popularia, anthologies for symposiastic use and mimes). This contribution analyses how some of the main lyric genres, developed in archaic and classical Greek poetry, underwent transformation in the Hellenistic period, following social, political and cultural changes. The paper specifically explores lyric poetry produced ‘for the gods’ (hymns, esp. paeans, preserved on stone and on papyrus).

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来源期刊

Erga-Logoi Arts and Humanities-Literature and Literary Theory

CiteScore

0.10

自引率

0.00%

发文量

审稿时长

14 weeks

期刊介绍： Erga-Logoi is a peer-reviewed open-access journal of ancient history, literature, law and culture, as broadly conceived in geographical and chronological terms. Evoking Thucydides'' methodological exordium (although in that context the opposition obviously has a different value), the name of the Journal was chosen to reflect its intention of looking at the ancient world paying attention to both “facts” (historical events, artistic production, material culture) and “words” (literary, historical, legal production in its oral and written forms). On these bases, the Journal embraces a unified approach to the ancient world, rejecting sectional perspectives for an interdisciplinary focus, reflecting these complex articulated civilizations. The Journal, published every six months, is open to contributions of a historical, philological, literary, archaeological, artistic, and legal nature. It is multilingual, thereby aiming to foster the development of international debate on the ancient world and its legacy.