三合一的形而上学

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Emanuele Costa
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引用次数: 0

摘要

在斯宾诺莎的形而上学中,表达的概念占据了很大一部分的基础,使诸如实体、因果关系、属性和本质等看似基本的概念更加深入。斯宾诺莎在一些重要的语境中使用了“表达”一词,如属性的定义、模式对实体的本质依赖、有限统一体的努力等。在这篇文章中,我试图将表达解释为关系或结构本体论的一个实例,以避免将其视为“更基本”属性(如因果关系、内在性和概念)的纯粹结果或组合的还原论倾向。我对表达作为一个描述性结构透镜的解释丰富了我们对斯宾诺莎的物质和模式形而上学作为主要结构本体论的理解,只有当它的关系被认为在本体论上依赖于结构时,它才能被恰当地解读。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Triadic Metaphysics
The concept of expression grounds a large portion of Spinoza’s metaphysics, giving further depth to seemingly foundational concepts such as substance, causality, attribute, and essence. Spinoza adopts the term “expression” in crucial contexts such as the definition of attribute, the essential dependence of modes on substance, and the striving or effort of a finite conatus. In this essay, I seek to interpret expression as an instance of relational or structural ontology, escaping the reductionist tendencies that would see it as a mere result or combination of “more fundamental” properties such as causation, inherence, and conception. My interpretation of expression as a descriptive structural lens enriches our understanding of Spinoza’s metaphysics of substance and modes as a primarily structural ontology, which can only be read appropriately if its relata are conceived as ontologically dependent on the structure.
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来源期刊
Journal of Early Modern Studies-Romania
Journal of Early Modern Studies-Romania HUMANITIES, MULTIDISCIPLINARY-
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