伊丽莎白时代的反舞台运动

Anita Lie
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引用次数: 0

摘要

对伊丽莎白时期戏剧的批评并不是世界戏剧史上第一次出现。大多数历史学家和评论家都认为,反对戏剧的偏见始于柏拉图。柏拉图对于理念的实在性的信仰,在后来反对阶段的论证中,常常被提及。根据柏拉图的观点,物质世界不是真实的,因为它是理念的模仿,只有理念才是真理。因此,艺术三次远离真理,因为它是对物质世界的模仿。在伊丽莎白时代,反舞台的争论随着教会、城市和法院之间的权力冲突而加剧。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE ELIZABETHAN ANTI-STAGE MOVEMENT
Criticism of the theater in the Elizabethan period was not the first thing happened in the history of the world's drama. Most historians and critics agree that the antitheatrical prejudice began with Plato. The Platonic belief in the reality of the Idea was often referred to in later arguments against the stage. According to Plato, the physical world is not real because it is an imitation of the Idea and only the Idea is the Truth. Thus, art is three times removed from the Truth because it is an imitation of the physical world. In the Elizabethan era, the anti-stage arguments were later intensified with the conflict of power among the Church, the City and the Court.
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