侵略还是倒退:《弗洛斯磨坊》与《傲慢与偏见》中女主人公的比较研究

Pyeaam Abbasi
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引用次数: 0

摘要

英国维多利亚时代小说的基本模式似乎是一个人站在世界(维多利亚社会)的对立面。乔治·艾略特的《弗洛斯河畔的磨坊》(1860年)和简·奥斯汀的《傲慢与偏见》(1833年)是两个极好的例子,它们都是与社会期望背道而驰的知识分子女主人公。本文通过对比研究发现,在浪漫主义和现代主义小说家的作品中,女主溺水象征着她对自我的放弃和对社会期望的屈从,也是她对维多利亚时代意识形态塑造的身体的报复。后者是一位保守主义和现实主义作家的作品,女主人公为了解决婚姻矛盾,开始了一段教育和转变的过程。本文的结论是,在这类小说中,知识女性要么屈服于生存,要么被消灭,这既意味着女主角对维多利亚时代身体的自我毁灭(侵略),也意味着她被淹没在意识形态的水中(倒退)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Aggression or Regression: a Comparative Study of Heroines in the Mill on the Floss and Pride and Prejudice
The basic formula in the English Victorian novel seems to be an individual standing against the world (of the Victorian society). George Eliot’s The Mill on the Floss (1860) and Jane Austen’s Pride and Prejudice (1833) are two excellent examples of intellectual heroines standing against social expectations. This paper, as a comparative study, shows that in the former written by a romantic and modern novelist, the heroine drowns which signifies her self-renunciation and submission to the expectations of the society as well as her revenge of a body being shaped by Victorian ideologies. In the latter written by a conservative and realist writer, the heroine begins a process of education and transformation just to resolve her conflict in marriage. The paper concludes that in such novels the intellectual woman has to either submit to survive, or is wiped out which implies both the heroine’s self-destruction of a Victorian body (aggression) or her drowning in the waters of ideology (regression).
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