田纳西·威廉姆斯在50年代:一个镜像竞争话语

Kta A Biannual Publication on the Study of Language and Literature Pub Date : 2012-12-01 DOI:10.9744/kata.14.2.75-80

Anushiravani A, G. A

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引用次数: 1

摘要

7KLV duwlfh ZDV D VWXG\ RI GLIIHUHQW EXW V\QFKURQL]HG GLVFRXUVHV PLUURUHG LQ 7HQQHVVHH:LOOLDPV¶V +ROO\ZRRG DGDSWDWLRQV LQ 50。它讨论了HIIHFW RI DUWLVWLF DJHQFLHV RI FHQVRUVKLS RQ WKH KRZV DQG ZK\V RI:LOODLPV¶V DGDSWDWLRQV 0RVW值得注意的是，PCA和HUAC负责文化和政治方面的规定，没有一部好莱坞电影能幸免。直到60年代初，HUAC和PCA用宗教价值观来取代共产主义，用大团圆的结局来取代悲观主义的知识分子风潮，用严格的着装规范来恢复弗洛伊德意识电影观众的纯真。然而，这些机构并非无所不能。这些机构所反对的话语的声音在+ROO\ZRRG +ROO\ZRRG DFKLHYHG WKH VXEYHUVLRQ ZLWK WKH KHOS RI:LOOLDP¶V FRQWURYHUVLDO SORWV DOEHLW WDPHG E\ VRPH中被听到，这些话语加强了乐观主义的话语，淡化了宗教价值观。

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Tennessee Williams in the 50s: a Mirror Competing Discourses

7KLV DUWLFOH ZDV D VWXG\ RI GLIIHUHQW EXW V\QFKURQL]HG GLVFRXUVHV PLUURUHG LQ 7HQQHVVHH :LOOLDPV¶V +ROO\ZRRG DGDSWDWLRQV LQ the 50s. It discussed the HIIHFW RI DUWLVWLF DJHQFLHV RI FHQVRUVKLS RQ WKH KRZV DQG ZK\V RI :LOODLPV¶V DGDSWDWLRQV 0RVW notably, PCA and HUAC were in charge of cultural and political regulations that no Hollywood film was immune from. Until the early 60, HUAC and PCA imposed religious values to supplant Communism, happy ending to replace the intellectual fad of pessimism and strict dressing code to restore the innocence of the Freud-conscious moviegoers. However, these agencies were not omnipotent. The voice of those discourses that the agencies were fighting against were heard in +ROO\ZRRG +ROO\ZRRG DFKLHYHG WKH VXEYHUVLRQ ZLWK WKH KHOS RI :LOOLDP¶V FRQWURYHUVLDO SORWV DOEHLW WDPHG E\ VRPH reinforcing discourses of optimism and diluted religious values.

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来源期刊

Kta A Biannual Publication on the Study of Language and Literature

自引率

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发文量

审稿时长

16 weeks