斯坦利·库布里克《闪灵》中的原型焦虑

Ya-huei Wang
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引用次数: 2

摘要

本研究旨在研究斯坦利·库布里克(Stanley Kubrick, 1980)《闪灵》中的原型焦虑,这种焦虑可以理解为丹尼完成个体化过程的旅程。在丹尼的个体化过程中,他必须经历童话中常见的分离焦虑、专制焦虑、俄狄浦斯式的竞争焦虑、性焦虑等焦虑,才能获得自主。俯瞰酒店成为人类集体邪恶的象征,被指控邪恶的灵魂。只有那些拒绝承认自己是受害者的人,才能逃离酒店的邪恶历史,才不会变成一个杀人狂,向家人发泄愤怒。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Archetypal Anxieties in Stanley Kubrick’s The Shining
The study intends to study the archetypal anxieties in Stanley Kubrick’s (1980) The Shining, which can be interpreted as Danny’s journey for the completion of his individualization process. In his individualization process, Danny has to go through the anxieties often seen in fairytales, such as separation anxieties, authoritarian anxieties, Oedipal rivalry anxieties, and sexual anxieties, in order to acquire his autonomy. The Overlook Hotel becomes symbolic of collective human evil, being charged with evil spirits. Only those who refused to identify themselves as victims would escape from the evil history of the hotel and would not be transformed into a homicidal maniac, pouring their anger to their families.
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